Drive by Jason Heatherly
How THE OSCARS Will Go Down
Best Picture
Should win: Hugo
Will win: The Artist
In that list of films, which all in all is pretty bad, my favourite film is Hugo. Martin Scorsese’s beautifully told 3D story is a fantastic homage to the early days of cinema and is a wonderfully heartfelt story. The Artist however is the clear favourite in this category and has been throughout the awards season. Expect it to do well.
Best Director
Should win: Michel Hazanavicius
Will win: Michel Hazanavicius
Credit where credit’s due. I thought The Artist was astoundingly good and that is mainly down to the director, who absolutely has crafted a film that shouldn’t have worked. But it does so very, very well.
Best Actor
Should win: Gary Oldman
Will win: George Clooney
Because The Artist is going to get so much attention tonight I feel that despite the groundswell for Jean Dujardin, George Clooney will take the cake. He’s a much loved Hollywood presence and he makes films for that audience. However the best performance of last year was Gary Oldman’s in Tinker Tailor Soldier Spy and he thoroughly deserves the nomination, which didn’t look like it was going to happen for a while.
Best Actress
Should win: Meryl Streep
Will win: Viola Davis
Meryl Streep is the best thing in a bad film and she is excellent as Margaret Thatcher, but as the film stunk and has been reasonably poorly received it could count against her. Enter Viola Davis, who is nominated for her turn in The Help, a loved film in Hollywood, about themes that Hollywood likes to award because it makes them look liberal.
Best Supporting Actor
Should win: Christopher Plummer
Will win: Christopher Plummer
Because any other answer is stupid.
Best Supporting Actress
Should win: Melissa McCarthy
Will win: Octavia Spencer
Melissa McCarthy’s awesome, scene stealing turn in Bridesmaids is what deserves the win. But the Academy doesn’t like comedy so they’ll likely give the award to Spencer, again for The Help, for the same reason as Viola Davis. It’s a good performance in a film which deals with themes that Hollywood likes to reward. Spencer is good but her co-nominee in this category: Jessica Chastain, is better. McCarthy better than both. Had Chastain been up for The Tree of Life, this may have been a different story.
Best Adapted Screenplay
Should win: Tinker Tailor Soldier Spy
Will win: Moneyball
Tinker Tailor’s screenplay was a fantastic example of how to approach dense literary material and compact it into two hours whilst keeping it coherent and ever so watchable. Due to Moneyball’s raft of nominations I think the Academy will want to give it some love here. Written by Aaron Sorkin and Steve Zaillian, both Academy favourites this one would be hard to deny.
Best Original Screenplay
Should win: Bridesmaids
Will win: Midnight in Paris
It’s a clash between comedies and Bridesmaids was great. Midnight in Paris however is Woody, they love him and they’ll chuck him another tonight. Just for the sheer volume of work he manages to crank out. One film every year is deeply impressive, even if he hasn’t made a decent on since Bullets Over Broadway.
Best Animated Feature: Rango
Best Foreign Language Feature: A Separation
Best Art Direction: Hugo
Best Cinematography: The Tree of Life
Best Costume Design: The Artist
Best Film Editing: The Artist
Best Makeup: The Iron Lady
Best Original Score: The Artist
Best Original Song: Man or Muppet
Best Sound Editing: Drive
Best Sound Mixing: Hugo
Best Visual Effects: Rise of the Planet of the Apes
Best Documentary, Feature: Hell and Back Again
Best Documentary, Short: Tsunami and the Cherry Blossom
Best Live Action Short: The Shore
Best Animated Short: Dimanche
My written application to be a writer at UNI LAD
Se7en (1995)






